Showing posts with label Arup K Chatterjee. Show all posts
Showing posts with label Arup K Chatterjee. Show all posts

Thursday, April 10, 2025

The Translator : Nothing is Translated in Love and War

 

Nothing is Translated in Love and War

Translation of Mohan Rana’s poem, Prem Aur Yuddh Mein Anuvaadak Nahin Hote




Nothing is Translated in Love and War

Nothing is translated in love and war—
between unseen interlocutors,
doubles of our names,
shadows of each other,
like that elusive silhouette—
anonymous images
in a gallery of unclaimed mirrors.

Like you and I—
once strangers,
lifelong seekers
of an unmarked address,
that became the nomad’s shelter.

Then, suddenly, in the tossing
of night into day,
a singular name,
etched in the creases of memory,
emerges
against the half-lit walls
of thought.

Face to face,
we become two pronouns—
uttered in a single line—
in need of no frontiers, no fences,
or punctuation, because
none wants to decipher
the grammar of this language.

Having lost our names,
we find ourselves—again—
you and I—strangers,
nursing the same old fear,
alone in a world
teeming with voices.

In prisons, where friends
and foes serve pain—
translators are essential.
In courts, where truth and fiction
haggle for justice—
words must be measured,
chessboard-style,
played in coins.

Between doctor and patient,
in sterile hospitals,
amid the commerce of cures,
where life and death
are advertised like wares—
insurance, in many tongues,
tries to translate
what “life” means.

There are no sentries
in love and war—
no interpreters
between tyrants and the tyrannized
in the chronicles of history.
Words mutate,
rituals re-narrated,
a dirge sung in unison.

In love and war,
there are no witnesses
no proofs—
only perspectives
that seek to give
and hide
meaning from each other.
Each shoulder bears
its own archive,
boxed and sealed
in the memory-marketplace.

Under every cloud,
a translator lingers
like an umbrella—
writing silent monologues,
confessions
already recorded by time
on a stone adrift in water,
its smile fading
in the river’s midstream.

Nothing is narrated
in love and war—
only jesters abide,
indispensably in the wings.

Love leaves no sign,
but it alters—forever—
the view from a single window
of what once felt like your own.

Nothing is translated
in love and war.


About Mohan Rana

 Mohan Rana, the eminent Indian poet of Hindi, was born in Delhi, and lives in Bath, in Britain. His most recent collection of poetry is Ekant Mein Roshandaan (Skylight in Solitude). He has published ten poetry collections and several of his poems have been commissioned for translation by the Arts Council England, among others. His writings have also been translated into several European languages.




Acknowledgement
Source :

https://arupkchatterjee.com/2025/04/08/nothing-is-translated-in-love-and-war/

Monday, December 10, 2018

Acacia

Acacia

On waking each body assumes my guise
Pressures of everyday worldliness abound all around me
As I begin the quest for the real
Wearing yet another mask of mine
I have hung my trophies on the wall quite systematically
I have found many missing ones lending them my identity
Having occasionally posted their “gone missing” notices
Kept their memories hanging on Acacia branches, flip flops
And my socks, both were stung by nettles of the prickly clime
Now let it end, at every sigh I am more replete with the humid air
In the inertia of walking to the corner of earth, I slowly become
A winged creature void of flight, thrust into a glassy alcove
Who, with the changing directions of light
Keeps revolving on a clamp for endless revolutions
The gathering of dust on my trophies is a triumph in itself
While trying to lose the coming ones
While trying to forget written words
Dejected my falsehood was not so real
Despite my daily identifications of the invisible Aeyaar*




Translation from Hindi by Arup K Chatterjee.

*A mystical raconteur with talismanic powers to shapeshift.

Sunday, July 16, 2017

This Place is Enough

 Poem - MohanRana

 

This Place is Enough

Between two addresses, an undiscovered geography—
I wrote it, kept it aside, and bothering not to read
A face at first, then a second, and a third…
A story that was yours and mine remained an unfinished business
Like a corpus of drying clothes tossing in the wind
Like always, ripe with a miscellany of the unconsummated
In those pages, I tuck another day,
Turning them and then I walk away
Winter! A muffler around my neck
I turn back to inspect something, groping for my pocket
Feeling like a stranger to myself,
I disappear from the street into an alley
From the visible self, past the threshold of the door
Household, to courtyard, to solitude
In the guise of hope fear follows at each step
My shadow, like a receipt for arrivals and departures
So I have stopped
Here and there, between shadows, measuring my height
And then running with shackled feet, until
This place that is enough to stand, hide
And lie in silence
Or turn into the green doob grass.



Translation from Hindi by Arup K Chatterjee and Amrita Ajay.

Tuesday, July 11, 2017

कविता संग्रह 'शेष अनेक' की कविताओं के अंग्रेजी अनुवाद । Poems in English translations.

कविता संग्रह 'शेष अनेक' की कुछ कविताओं के अंग्रेजी अनुवाद । Poems in english translations from the poetry collection 'Shesh Anek'.

अरुप के. चटर्जी और अमृता अजय ने कविता संग्रह 'शेष अनेक' की कुछ कविताओं के अंग्रेजी अनुवाद

A Miscellany of the Unconsummated

कुछ दिनों पहले किये थे वे इस महीने   कोल्डनून पत्रिका में प्रकाशित हुए हैं।


Few poems are published in English translations  from Hindi by Arup K Chatterjee and Amrita Ajay in Coldnoon magazine this month.


The Translator : Nothing is Translated in Love and War

  8 Apr 2025 Arup K. Chatterjee Nothing is Translated in Love and War Translation of Mohan Rana’s poem, Prem Au...